Hollywood
is a cynical place where artists visions are compromised by studio accountants,
and there’s nothing worse than a compromised piece of art. Matt Vaughn produces
and self-finances all his own work meaning his films are made entirely without
compromise, and my god does it show. Kingsman is a manic film, the idea of a
playful spy film is taken and then pumped with a toxic cocktail of cocaine and
adrenaline. Its helped by a strong cast including the immensely likeable
newcomer Taron Egerton, and old hands such as Colin Firth, Michael Caine, Mark
Strong and a sibilant Samuel L. Jackson. There are 2 particular sequences which
are nothing short of exceptional, it will be a tall order for a cinematic
moment this year to top the glory of Colin Firth killing a church load of
people in emphatic style to the tune of Lynnrd Skynnrd. There are drawbacks
however, the frantic nature of the film leaves aspects feeling underdeveloped,
and although it touches on some interesting points concerning the class system
in Britain and the essence of being a gentleman, it doesn’t seem like it spends
enough time on developing them. The film begs a sequel, and seeing something so
completely uncompromised I would be the first one to book my ticket. (High 4 Stars)
The Film Surgeon is...
A digital forum for me to share my views and opinions expecting them to be duly ignored.
Monday, 23 November 2015
Kingsman: The Secret Service Review
Hollywood
is a cynical place where artists visions are compromised by studio accountants,
and there’s nothing worse than a compromised piece of art. Matt Vaughn produces
and self-finances all his own work meaning his films are made entirely without
compromise, and my god does it show. Kingsman is a manic film, the idea of a
playful spy film is taken and then pumped with a toxic cocktail of cocaine and
adrenaline. Its helped by a strong cast including the immensely likeable
newcomer Taron Egerton, and old hands such as Colin Firth, Michael Caine, Mark
Strong and a sibilant Samuel L. Jackson. There are 2 particular sequences which
are nothing short of exceptional, it will be a tall order for a cinematic
moment this year to top the glory of Colin Firth killing a church load of
people in emphatic style to the tune of Lynnrd Skynnrd. There are drawbacks
however, the frantic nature of the film leaves aspects feeling underdeveloped,
and although it touches on some interesting points concerning the class system
in Britain and the essence of being a gentleman, it doesn’t seem like it spends
enough time on developing them. The film begs a sequel, and seeing something so
completely uncompromised I would be the first one to book my ticket. (High 4 Stars)
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