Being a big comic book fan and being a big film
fan often conflicts with how to look at a film. Watching superheroes you’ve
read in the cells of the page for years is such a monumentally exciting
experience, and no one in Hollywood is doing it better than Marvel studios.
However that comic fandom has got be separated from watching a film on its own
terms and as massively enjoyable as Marvel films are they have in the past
become a little formulaic. How brilliant it is then that Marvel has managed to
make such a spirited and individual film that fits into the Marvel universe yet
doesn’t seem compromised. Ant Man’s greatest strength is its sense of old
fashioned wonder, the massive world it creates when Ant Man shrinks is
brilliant, and it uses this sense of 50s nostalgia to create a brilliant comic
tone that feels so individual to the film and not restrained to the MCU. The
nature of Ant Mans powers also lead to some incredibly inventive fight
sequences and set pieces, whereas most MCU outings have the predictable finale
of an aerial threat to a populated city, Ant Mans finale takes place in a
little girls room on her train set and it’s brilliant. Credit has to be given to
director Peyton Reed that he manages to impose his style on the film, this is
most notable in the tip off montages which feature the hilarious Michael Pena,
its touches like this that make the film feel so individual. Then we come to
Ant Mans greatest strength which is its leading man Paul Rudd. You’d be hard
pressed to find any soul on this earth who doesn’t like Paul Rudd, and he
brings something entirely different to this Marvel universe, as you’d expect
he’s incredibly charismatic and funny, more so than Chris Pratt or Robert
Downey Jr, but more interesting than them is he feels like an everyman, yes the
scenes with his family are probably the least convincing aspect of the film,
but he feels like someone who fans can actually see aspects of themselves in.
The only Marvel trapping the film seems to fall into is its unconvincing
villain, Corey Stoll gives a quite good performance but the film doesn’t go to
great lengths to explain his transition to a supervillain. That is however a
minor drawback in what is Marvel’s best film to date. (5 Stars)
The Film Surgeon is...
A digital forum for me to share my views and opinions expecting them to be duly ignored.
Monday, 23 November 2015
Ant-Man Review
Being a big comic book fan and being a big film
fan often conflicts with how to look at a film. Watching superheroes you’ve
read in the cells of the page for years is such a monumentally exciting
experience, and no one in Hollywood is doing it better than Marvel studios.
However that comic fandom has got be separated from watching a film on its own
terms and as massively enjoyable as Marvel films are they have in the past
become a little formulaic. How brilliant it is then that Marvel has managed to
make such a spirited and individual film that fits into the Marvel universe yet
doesn’t seem compromised. Ant Man’s greatest strength is its sense of old
fashioned wonder, the massive world it creates when Ant Man shrinks is
brilliant, and it uses this sense of 50s nostalgia to create a brilliant comic
tone that feels so individual to the film and not restrained to the MCU. The
nature of Ant Mans powers also lead to some incredibly inventive fight
sequences and set pieces, whereas most MCU outings have the predictable finale
of an aerial threat to a populated city, Ant Mans finale takes place in a
little girls room on her train set and it’s brilliant. Credit has to be given to
director Peyton Reed that he manages to impose his style on the film, this is
most notable in the tip off montages which feature the hilarious Michael Pena,
its touches like this that make the film feel so individual. Then we come to
Ant Mans greatest strength which is its leading man Paul Rudd. You’d be hard
pressed to find any soul on this earth who doesn’t like Paul Rudd, and he
brings something entirely different to this Marvel universe, as you’d expect
he’s incredibly charismatic and funny, more so than Chris Pratt or Robert
Downey Jr, but more interesting than them is he feels like an everyman, yes the
scenes with his family are probably the least convincing aspect of the film,
but he feels like someone who fans can actually see aspects of themselves in.
The only Marvel trapping the film seems to fall into is its unconvincing
villain, Corey Stoll gives a quite good performance but the film doesn’t go to
great lengths to explain his transition to a supervillain. That is however a
minor drawback in what is Marvel’s best film to date. (5 Stars)
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