The Film Surgeon is...

A digital forum for me to share my views and opinions expecting them to be duly ignored.

Saturday, 30 April 2016

Captain America: Civil War Review

The key to providing a franchise with sustainability is not dependent on how much money you throw at it, more so how much work you put into them. Marvels consistent hit rate is down to the seamless stories they’ve woven together across 12 films; their 13th doesn’t prove to be unlucky and might just be their best achievement so far.
Civil War sees Captain America and his Avengers involved in a mission which leads to an incident where innocent lives are lost. As fall out from that, as well as their other destructive outings, the Avengers are to be put in check by secretary of state Thaddeus Ross (William Hurt), who imposes the ‘Sokovia accords’, those heroes that don’t comply will be considered criminals in the eyes of the state. Tony Stark, tortured by guilt is all for the act, Cap on the other hand is strongly against, disagreements lead to arguments which eventually lead to the Avengers splintering into 2 factions which will battle it out in the titular Civil War.
Similar to Captain America: The Winter Soldier, Civil War operates as a gripping thriller that’s tackling big issues, Captain America has previously battled Nazi’s and shady government agencies, but with the fight he’s picked here he might not necessarily be on the right side, and that’s the films major strength. There are no decisions being made for you here, no black and white, there’s no right side to choose, weeks after watching this you’ll begin to question whose side you’re really on. Stark’s side seems to come from a good place, but the oppressive nature of the accords act seems far too restraining in terms of stopping our heroes from being heroes. And with Cap, though he is usually the pillar for moral good, here he is blinded by his unwavering bond with his childhood friend turned murderous robot armed assassin, Bucky.
Despite being a Captain America solo film, this has the biggest roll call of any Marvel film yet, it is essentially a three hander between Cap, Stark and Bucky, but with a character list that includes 12 superheroes, it’s amazing that everyone seems to have their moment and not one of them feels left behind. Black Widow is back again and with her 2 closest team mates on the rival side, she is presented as the most divided of the heroes. Jeremy Renner’s supposedly retired Hawkeye turns up and essentially puts together Cap’s team. Anthony Mackie is Cap’s other BFF and for a brief period of the film forms an enjoyable trio with Cap and Bucky. Don Cheadle as War Machine is the other man in the iron suit, and as Stark’s closest friend he provides great camaraderie in fight sequences and moments of reflection in the quieter periods. Paul Bettany’s Vision and Elizabeth Olsen’s Scarlett Witch have some really well judged moments of domesticity as well as sharing their turmoil at coming to terms with their recently acquired powers. After the funniest performance in the MCU in his solo outing, Paul Rudd’s Ant-Man is a brilliant boost of comedy, given the funniest lines and possibly the standout hero moment of the film. And then there are the 2 newcomers to the party, in the form of Chadwick Boseman’s Black Panther, and Tom Holland’s Spider-Man. Boseman, getting his solo outing in 2018, is a different beast in the MCU, as King of his native Wakanda, he is burdened with a responsibility like none of the others, he has drive and determination, but as his character develops he also becomes more rounded, and with a vibranium suit he’s also pretty handy in a scrap. Spider-Man makes a fleeting but memorable appearance here. Though his introduction to this universe is contrived and feels like a big jump in causality, it’s quickly forgotten the moment Tom Holland appears on screen. Though his screen time is brief, this quippy, fun, teenage web-slinger creates a Spider-Man that comic book fans have been craving, a Spider-Man that 5 previous solo outings have been unable to provide.
There’s also the introduction of the villain to the film, Daniel Bruhl’s Zemo. That name will ring bells with any comic book fan, but the approach that Civil War has taken with him is an entirely different one than expected. He’s sinister but not necessarily evil, he’s more of a schemer than a mastermind, and Civil War is so successful at casting all its characters in shades of grey that by the end you don’t entirely disagree with his actions.
A lot of comic book films mistake misery for seriousness, and while this film is serious in places it never loses sight of what these films should be, fun. The airport sequence where both sides face off against each other in spectacular fashion, is one of the best constructed set pieces put to screen. Destruction is meaningless if there isn’t anyone invested in it, and although it may look like chaos it’s incredibly well organised so that there are character beats to every scrap, plus you get to see Captain America get into fisticuffs with Spider-Man and who doesn’t want to see that?
People will complain of super hero fatigue, and who knows, next year will see Marvel start upping their yearly releases to 3 films, and that might start the weariness. However, audiences will never tire of going to see good films and the MCU consistently put out great ones, and with Civil War they’ve just put out their best. Next stop Doctor Strange. (5 Stars)

No comments:

Post a Comment